Neuköln “Heroes”
In collaboration with Hannah Darabi

Neuköln “Heroes”
2011-2013
Neuköln “Heroes”, Bartleby & Co., 2013

“There’s a track on the album “Heroes” called ‘Neuköln’, and that’s the area of Berlin where the Turks are shackled in bad conditions.”


David Bowie, interview with Allan Jones, Melody Maker (UK), 19 October 1977.


“We live in a cataract of time.” 


  Siegfried Kracauer, The Last Things Before the Last (1969)
 



  Neuköln “Heroes” can be conceived as a journey through time, with David Bowie as the main driver. In the mid-seventies, Bowie, tired of the tumultuous life of Los Angeles, found Berlin, a destination where he could be anonymous, especially attractive. The books of Christopher Isherwood, Mr Norris Changes Trains in particular, which describes the decadent Berlin of the thirties, stimulated him. In 1977, the album Heroes, made entirely in Berlin, was released. One of the instrumental pieces of the B-side, Neuköln, conveys the strong sense of difficulty and sadness that Bowie felt in relation to residents of this popular area where, as he said later, “Turks are shackled in bad conditions.”

Thirty-five years later, Hannah Darabi and Benoît Grimbert photographed this area. A contemporary counterpoint to the Neuköln of Heroes, these photographs evoke both the present time, and the time that passes, or on the contrary stands still. It is primarily a “cataract of times” that confronts us in this book which, by going through texts such as Siegfried Kracauer’s The Salaried Masses or Franz Hessel’s Walking in Berlin, or even film stills from People on Sunday (Robert Siodmak), also echoes Isherwood’s Berlin of the ’30s.







Horse Latitudes


Atrocity Exhibition 

2023


The Return of the Durutti Column

2018


Nuclear Winter


Deux ou trois choses

2018


Space Oddity 

2017


Neuköln “Heroes”

2013


Lips that Would Kiss

2011


Stains 

2011


A1, the Great North Road

2009


A406, North Circular Road 

2008


Normandie

2006


Nostalghia 

2004


Verso 

2002